Behind a fall of the independent recording industry.

The Light Surgeon – visualist

The momentum behind the force of transformations in internet and ioT; are creators and innovators at the plates.

From the content creator who seek to spin the wheel and make changes, the industry not relapsing into a market of economic crisis and from industries POV, can alternate reality be in control of information. 

Apart from understanding the information space or cyberspace, individual exemaplar is becoming an ill informer, misinterpreted spacetime machine; movement momento.

By becoming a popularity contest of sound engineering or sound libraries?

What are label doing these day are way too busy with working for the artists and trying to confuse everyone to make friends but rally them to buy and like their artists. 

While the organized confusion setup is in fact for most people, who no longer read about the exemplarity of originality but facing your own identity crisis with clash of culture and manifestation of non-traditional, polyracial or underwired experimentations of sound and visions. The crossing of boundaries between cultural walk has become the awareness of finding the right forum to voice out or peer 2 peer review of their own formulas.

When we are ready to create and live like we have enter the 21st century.

Bypassing when we are misunderstood by the gravity of lifestyle in the century to come reveal a p2p that is still unexplainable within people’s reaching to existential’s realism. 

But that isn’t just allowing a tribe to read and re-read Creatives™ magazine, but like the book of Pi who face a living crisis; AGAIN, CATCH22.

My randomness thinking would lead to what are we talking OF. The quality and quantity in music production is why distributions…, and loudness war is fast and sound quality is slow.

This isn’t really printing facts about the new trend; death is more likely to come between you, your time and your label, also the unreliability of new slow ire movement is fast to cash in to a sub-terrance of the underworld than your hereditary DNA sequence for them to archive your music in deep web.

From the 18th century their requirement to meet the academy are usually theory over the energy level of knowing that there are some formalism within the modernati in the innovation of machinery and technological improvishes the ART FORM itself.

Rather than an instruction of acknowledged fact, there are more or less a innovation in the art world. A work of art in the sense of languages and the form of projectioning of a not so new medium in design of art and structural languages(Lev Manovich) the art of knowing and sensing an inside the noton (N*) of sound composition then the timing of finding a lingering monument in the vast of creativity. The geometry of sound work in the rhythmic, tonal counting of linguistic of instrumentalism, especially in the instrument OF choices the design is coming from the through history of plateau or a delaunay geometric equations

NLS001 – Quayola – Strata Series (Vinyl only)

Indeed we cannot capture the human history of endogenesis for engery but in sound thought to have been the time of capturing the cog of software content in an achievement of the lost in space quantum entanglement.

On the contrary, the tail of twince(twin) cities and designation of processing the energy of monumental task? There are some period how we question the science behind the unique perspectives of implications to re-organizing common rite of memories and experiment with the by fully possibilities of mathematics form structures, and then guessing that form is following function. But the truth is intended and questions are only a continuum of instructional experimentation. Music label is to grow from a crisis of creative digital format of new order and disorders likely the Bowie of steels. 

They building this (old Brompton dome)- Jimmy Howe

The name of soundtracks as a form of art

When do you feel like listening to music, or just browsing in music portals to read the name of the tracks and choose what you like to listen to.

I think of the way of naming a soundtrack is an important art formation, and indeed the process is very much more difficult than you think it is. How do artist manage to name a soundtrack like the way he or she like it to be. You may think this is something out of the moment, but for me I can only talk from my experience as an artist. I do think it is one of the most difficult task in the process of making music for music sake.

When are you most needed to listen to music, that sound that will elimate stress and relaxes you mind or when you want to learn something new about the artist’s access towards mind lifting for your soul. That’s the first thing you go in to the catalogue is the name of the song. And yes without a double the name of a song could make or becoming greatest threat for the artist to create something empowered by only the maker of the sound but of course it takes a lot of hardwork before the music becomes heard.

Almost in all walks of life their experiences of the sound for the listener is all but the only selectively a few songs or for some people the music is mostly what they are hoping to hear. But nothing new comes out of their system if they are not only going to discover a new sound likely a theory could be behind the sound. Although, I believe that only the very different sort of breed of audience is put to the test of putting the name of the track when they are also in the discovery of music relationship between their younger-selves and their representation of a real life story. So yeah a fanastic discovery of sound through objective and opportunities.

As when you have selected one of the more formalised record label, you’ve given your thought to search a beginning or to choose over the label’s catalogue than just picking a random artist’s song or tracks. You are already belonging to the wiser’s community.

NLS Records Update

An obscure genre that never yet existed in Hong Kong

In the way of competitive markets for the record industry under the downturn for Covid-19 have stopped the music label publishing to pursuit new opportunity and the discovery of new talents due to the confinement process, condition to be a destruction of the ecological process of the music and performance industry. Without having to give much thought over the current conditions of the situation of isolation and between national boarders and non-traveling advise for Covid-19. The fallout of the global economy is in a downturn for years to recover from the lost of a conditional niche market both in retail and consumption.

The NLS Records representing an obscure genre that never yet existed in Hong Kong also meaning the obscurity of this genre will not survive in a global sense due to the complete progress of the competitive market is at a standstill and conventionally the experimental side of things are fallen back to the research and development area and no such value in the market, only to find itself more niche and back in the underground movement that may or may not excel much further then in the research area.

For a researcher the only way to continue is to focus on fundings within the institutes and no longer it need further explanations to achieve yet another status quo since it is in a completion,  and competition with other genre that will rise up in the future.

We can only find time to collect data and information from a past perspective and from the position of looking past that movement as history. There are plenty more excitement in the use of the VJ tool, Audiovisual and the visualist ideologies in a different time and space. For example with Live Coding and Machine Learning on mobile displays and many more others real time web-base technologies to maybe change music listening forever. If that is your cuppa of tea but traditional music platform and the old way of distributions of music could undergoes a complete change and become ever more rare in physical forms but not only we have to move with the time from how music is made but also understand how it is done.

A.Visualist Trailer

A film, I wrote, directed and shot between 2008-2012. Press Release download

A. Visualist: as the idea grows from doing analytic reportage between what is beautiful and purposeful. Music and the visuals are the continuity of this new cultures. From being in cities like New York, Tokyo and London. These are the visualists, the natural born scala of the lightings, the visual effects, the parties, and sound. If not for the organizers and musicians/VJ all having to take a part to play in the film. Full Film can be watch here

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