Focusing towards the way we produce sound

When focusing towards the way we produce sound

Perhaps we need to focus on how we receive sound

“The phenomenon is collectively building a data for the network of sound authority.”

Now if suppose we are building a network within the environment to create collectivity in the impaired like putting a fabric of invisibly to create information that is able to all understanding of subliminal information from data listener.

The environment of experimental sound existed as a form of identifying elemental notion from the occult and the obscure scene everywhere, but indeed the idea that existed in the plain and landscape of sky catcher or the cathedral of inner world that only finding out that our interior is non inferior by the brittleness and the cohabitation of egotistical and madness about social status within this region or the mentalities that existed in thousand plateaus.

For example if we are building for hearing impaired individuals or perhaps weak impairment in what visualizing sound in tread how supposedly that inaudible system become a friendly reminder of repaired function when invisible data will be covering over the entire cities of globally from speech generators to human vibrations and of course the mechanical process of sound wall within the verticality of our cities.

Towards the reasonable dimension of keeping an virtual state of flux, we cannot allow sound to be muted and only looking for investment that has no gains or return of investment. But only as repairman can do in the repairing for soundwall or treatment in audio treads. There are sound tactical design within the environment when sensitivity meets construction, per sa the focus in towards HOW WE PRODUCE SOUND.

PRODUCTION IN SOUND has to be an input and output  function, intake of air and output of sound, for a localization of air intake of silent air purifier for example FOG  and air pollution will generate water and carbon dioxide molecules/nano particules.

Sound in design as often as a by product of intake in non-reuseble or collection of sounds and that in sense  generate a vibro either by chance or via a responsive design of mannerism in reproduction in sound visualization.”

Although we have no chance of blocking the sound wall from the overall travels in the vertically in format and within a landscape, and for the most diverse soundscape is coming from all the walls within the building blocks of machines of living creatures. When you apply the use of mechanical reproduction ideas towards useless sound tactics/fractions of WHITENOISE a psychological statement is associated with memories and moods.

FOCUS on verticality and localization of the grassroots’ lost in translations has meaning both information and data. This focus are scale towards sound that has many attributes, for example within the sociological production of older architectures the sound tension is a visual idea without analytically designing natural homes for low rise housing as visual concept is more interesting and without lost in translations with lost of complex ideas.

The blacken room

Drum shord and roar

The micro tonal generating sound of the tribal-ture-net

text<naked nuras loves rave/cim>

The way we produce sound

By focusing towards the way we produce sound, it is perhaps immediate recognition on the creativity, but by an order of knowing the non-linear strings sequencer in software or via calculation in a live programming environment, we are far too predictable then what we would like not to be too countable by the container of the software IDE or Interface, the speed of random selection and function in the evolution of sound sequencer and software(Digital Audio Workstation) and theoreticians between the form of architecture interface in online system are a history in the making.

We need to focus on how we receive sound; The environment is selectively and collectively building on audio data from the network or offline recordings. Now if suppose we are building a network for sound designer, within an environment(IDE) graphviewscto create a collective in the improvisation: like putting a fabric of invisibly created information that is unable to understanding all the sublimity with information, what it does sounded like.

For example if we are building for hearing impaired individuals or perhaps weak impairment in what visualizing sound in a tread of vertical urban design, how are we supposedly to understand that the inaudible system like hums and tings will become the friendly reminder of low frequency that create the impaired hearing functions. These are invisible data likely will not become the cover of artist on the Roll’n Stone magazine but all over the entire world, cities in Asia and globally will be blanked by a low frequency AMBIENT SOUND. Whether we are taking it through a formalise speech generator and maybe from human’s speaking through a vibration, but of course the mechanical process of sound wall from buildings and computers.

Towards the reasonable dimension of keeping this virtual state of flux, we cannot allow sound to be muted, just like music studio only looking for investor like myself who has no gains or ROI in production and design. The studios are struggling not to only work as repairman who need to do any repairing on the soundwall or treatment in audio and paying high cost of rent in quiet areas. There are sound design within a tactical location and environment when sensitivity meets construction in your studio area, per sa the focus is HOW WE PRODUCE SOUND!

PRODUCTION IN MUSIC has to have a combination of an input and output selective function, just like a human body to do intake of air and output of sound, for a localization of air intake of silent air purifier for example FOG and air pollution will generate water and carbon dioxide molecules/nano particules LOL.

Sound design as often as a by product of intake in non-reuseble or collection of sounds and that in sense generating a vibro either by chance or via a response in sound design. Of such mannerism is a reproduction in sound visualization, visual in the Spectrascope and waveform.

Although we have no chance of blocking the sound wall from the overall distance in the way vertical forms is in the format inside a building 40 floors up in the skyscrapers. But, for the most part, a diverse group of sound engineer and soundscapes is coming from off the walls within the building blocks of machine and wall absorbers; in finding of living cultivation to producer, and recording music. When you apply the use of mechanical reproduction ideas towards useless sound tactics/fractions of WHITENOISE, this is a psychological statement in association with memories and moods.

FOCUS on versatility and localization of the grassroots – lost in translations – has meaning for noise and information both kinda like data and useless tactical communication system. This focus are scale towards sound that has many attributes, for example within the sociological production of older architectures the sound tension is a visual idea without analytically designing natural homes for low rise housing as visual concept that is more interesting and without lost in translations and with losing of complex ideas.

NOTES: My views on #SkiBeatz video are not a reflection of what I think about music production, his video I added after was because he reminded me on how his music is made and hip hop lives.