designed and engineered by ezra buchla and brian crabtree.
made by monome in upstate new york.
$1400. ordering open now.
shipping late fall.
more video and information forthcoming. https://vimeo.com/75520925
Post-war Britain rebuilt itself on a wave of scientific and industrial breakthroughs that culminated in the cultural revolution of the 1960’s. In this atmosphere was born the Electronic Music Studios (EMS), a radical group of avant-garde electronic musicians who utilized technology and experimentation to compose a futuristic electronic sound-scape for the New Britain.
What The Future Sounded Like colours in a lost chapter in music history, uncovering a group of composers and innovators who harnessed technology and new ideas to re-imagine the boundaries of music and sound. Features music from Pink Floyd, Hawkwind, Roxy Music and The Emperor Machine.
Produced by Claire Harris
Written & Directed by Matthew Bate (Shut Up Little Man! An Audio Misadventure)
Official Site: whatthefuturesoundedlike.com
World Premiere: South by Southwest 2008
Official Selection: CPH:DOX // Sheffield Doc:Fest // Sonar Music Festival // SIFF // MIFF // BAFF 2006
What The Future Sounded Like from Closer Productions on Vimeo.
I am ready to perhaps pursuing a new career in Bruitage/sound foyle artist
IN the world that we live in film and motion pictures, event in animation as such the world of the foyle artist is a very imaginative world and everyday something new should happen in simple matters of life or death.
In the precise manner of speaking, I am getting abit over anger at some of these Asia nations, mostly become of some, timely and untold ideas to differentiate independent film producer, or music(producer) within the APAC, that we no longer could make proceedings with self-censorship. As in this case for piracy or copyrights, or from dealing with royalties or on the behalf of adaptations, on musical freedom from playbook(society of playing copyrighted materials,) this on one hand they play their games of “12 Angry Men” and then formalize this perspective of the act of international organization for multi-nations bipartian, or “bomboclatt” from the entry act of storytelling and then they act on their other head(s.) like intellectuals wannabe.
It is very obvious to everybody playing the double-standard for a (Dire Strait) rather than double take, artfully. This act is often assumed if anything but alright with the local is alright in theory (no-such-thing….)
The withstanding of nothingness is believed that the interest of listening to dance music has not gained much by the trust of the establishments, rather by this integral strength of the producers themselves, they are really a body without organs and without any advances on progress or support from foreign devils (wham!)
This fear comes from the usual raven, and by taking up penmanship, these thoughts goes out to those (REM) whom thinks only towards pop culture and generalization of those whom find cultural assassination is a processing or a boycott and byproduct of activist, blacklister and freedom to downloads in consent. Our copyleft of free-software foundations(Opensource) are in nomansland, or in these kind of perspective of negative PSA in APAC, there is nothing more about branding, but organization from the following spectulation of formula studies.
1.National interest (GDP/automata)
2.Information retrieval (productions in all form of content)
3.Racial for socialism for the improvement on popular culture (policy in arts)
4.Musica’ for identical in cultural censorships (copyrights/content/ownerships)
5.Banality and dogmatic (system architect)
There is no better stuff for other people to see, but sometimes I put a lot of effort in creating sound or music in a bad literature study XD (Intro Music has No names) 來一個無名樂響。Internet is like this, don’t like it don’t read here. Night time Music, good or bad?
I can’t write Chinese, but trying again! Dying to speak and starting a music label is logical? Yet funny but happy to continue to write. Back in Hong Kong for more than 10 years, people with the same interest are here, only if time will wait for anyone. In music we call this space or Spatial, also representation of time sequence. In both learning about Music or Chinese language has to be self taught, I use google. But this isn’t a place for us and neither it has become not a random access memory(only realization.) I speak Chinese everyday. It represent the meaning of an experimental sound artist but not important if it is all but about writing primary composition, keep on going!
Some compare the sound to the west, but people, really? Ask us about any interest as work. Can we see a renaissance?? IF is not me it’s not good…haha. Though long about getting someone to translate, Why do I need a translator?! The point is because only music meet science, not many audience see us produce music that are essence in time of music and producers. Slow music!? LOL
可笑的是一些中文也不會用的我! 言亡也不是和開label的logic。但笑笑是開心的哬也要一值continue to write. 回國十多年香港也有了很多友人! 但時間不會 waiting for anyone. In music we call this space or Spatial, also representation of time sequence.
中文或是音樂都要自己學,你看書、我用google. 這個地方是沒有你我、也不是random access memory. 中國的方言也是長年可用的一們學舉。也是很象音樂experimential artist 的名字。沒有大不了!你天真也要作下去嗎? 有用的人或是比西方的sound?? 問我們的interests?? 真的像黃金時代? IF is not me it’s not good…haha.
Why do I need a translator?! 想了很多年了! 見地 because only music 科学也不多人會看我們做樂的味候也不會改的音樂是時代。慢慢的歌 是 slow music!?
In my traditions, working production equipment are often an unique choice in the markup of concepts from the expense of buying top notch gears in comparison, the use of consumer equipment, there are some short sightedness like trimmed down version of consumer grade level equipments throughout this video by Curtis Judd in the Rockies, for example if you are using sound recorders for youtube quality video sound recording. The sound capturing for pro gears are often deemed to be unnecessarily mention by Judd. His video review the SOUNDDEVICE 633, but if you are a professional artist for film Foyle and soundman at the highest end of sound mixing and capturing, investing in a Sound Device 633 would be in your own interest to create the sound from the highest end of equipment checklists and not to mentioned the video below will review the pro tips, and ideas that is necessary to pick the right professional equipment between commercial/consumer grades digital recorders like the ZOOM F8 and ZOOM H4N.
From the understanding of anything to pro gear I think it is the pricetag that is going to be your major investment and using your knowledge based to being able to understand your concept in sound design amid how your sound should turnout would be likely planned, with the artist or filmmaker and not just doing recordings without an intend of research, a lot of information can be found on internet if you look eager enough. And for soundtrack dubbing, and music the knowing of how to make foyle sound…, something I am falling back in to doing, yet is still an idea to be formed as I can hopeful to sell enough music to buy a SoundDevice633.
I find a lot of Asian filmmakers and visual artist is not communicating clearly on how sound should work with their visuals, and I am speaking out to Asian filmmakers like myself when I produce my first film I was lucky to be able to reused the sound from the DSLR camera in built sound recordings, at the time I had learnt a lot of problem after going in to post production. And then again, if you don’t try and learn your mistakes, you will not be able to see how to solve these problem next time. At the time I did not have many working footage for the film editor and in accordance to just luck really to be able to complete the film A.VISUALIST.
And also beware of solo copycats..haah, just a inside joke….
A lot of this is reference to Hong Kong Cinema, and by my case, I did noticing sound recordings without a Limiter is the main problem. From being a producer of music where I was able to find reason to work with sound engineers to learn more on sound mastering and mixing, but without working with sound and music I probably did not make it easier for myself to learn it.
I wish this blog will be able to help other to find genuine ideas to expand on their creative process uniqueness and share with their own community.
When we think about computer; The input/output trigger transformation visual mechanism on the thought on data crunching tools or development on website for data science, **the principle rearrangements of the shape and number,** are completely intensive movement for interruption….
OF generative processes, an equality of endlessly randomizing, repeating operations, or an application particles, like luminous sound from signifying the principle of design elements of numbers and trends taboo. In shaping the language of physicality in vision
A forming in modernism and historic of mythic-ism, we are not changing characterization, and neither is the creator who are generalizing in **Space with tactical unit or grouping of movement time imp development in an oneiric motion language.**