New Releases – Project AOA ver.2

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about the project:

Form follow Axis through wavelength of network, instruments convergence is an overtake for all sound device current electrical system; H. focusing towards the way we produce sound Perhaps we need to focus on how we receive sound The environment is collectively building a data for the network of sound authority. Now if suppose we are building a network within the environment to create collectivity in the impaired like putting a fabric of invisibly to create information that is able to all understanding of subliminal information from data listener. The phenomenon of experimental sound existed as a form of identifying elemental notion from the occult and the obscure scene everywhere, but indeed the idea that existed in the plain and landscape of sky catcher or the cathedral of inner world that only finding out that our interior is non inferior by the brittleness and the cohabitation of egotistical and madness about social status within this region or the mentalities that existed in thousand plateaus.

Enfant Terriblé Concepts:

For example if we are building for hearing impaired individuals or perhaps weak impairment in what visualizing sound in tread how supposedly that inaudible system become a friendly reminder of repaired function when invisible data will be covering over the entire cities of globally from speech generators to human vibrations and of course the mechanical process of sound wall within the verticality of our cities.

And for rest of the people:

  1. Towards the reasonable dimension of keeping an virtual state of flux, we cannot allow sound to be muted and only looking for investment that has no gains or return of investment. But only as repairman can do in the repairing for soundwall or treatment in audio treads. There are sound tactical design within the environment when sensitivity meets construction, per sa the focus in towards HOW WE PRODUCE SOUND. PRODUCTION IN SOUND has to be an input and output function, intake of air and output of sound, for a localization of air intake of silent air purifier for example FOG and air pollution will generate water and carbon dioxide molecules/ nano particules. Sound in design as often as a by product of intake in non- reuseble or collection of sounds and that in sense generate a vibro either by chance or via a responsive design of mannerism in reproduction in sound visualization. Although we have no chance of blocking the sound wall from the electric of experimental culture….

Faites Du Bruit – Le Bruitage

I am ready to perhaps pursuing a new career in Bruitage/sound foyle artist

IN the world that we live in film and motion pictures, event in animation as such the world of the foyle artist is a very imaginative world and everyday something new should happen in simple matters of life or death.

http://lasonotheque.org/

https://fr.wikipedia.org/wiki/Bruitage

http://www.sound-fishing.net/bruitages.html

Hong Kong is not a liason and I will not take you up for another Granada(unedited)

This might becoming once upon a time the most intensive idea of all time, the idea of our world where we prepared to accept the normalcy and status quo or intending to recreate a true happiness using all type of media and information to tell us what is within the state of Hong Kong’s unexceptable idea of freedom and openness, but indeed the position for finding that intensive recreation of a state order rather than the ideas this is preoccupying us all along with longer working hours, hateful partisans and diatribes.

Through the find of a strong believer in freewill and philiosophy of somekind, that this someone will come in to this city state to safe us by an observant, or an ideologist, or their own political state of affair; is intensively science, and or the design matter that each people could equally establish their status quo as an wealthy architect or designer lies within their power to organized or retaining their personal trait are far worst and ridiculous than having the entire world changing to be one political system. This is the dreamer and we are carrying a weapon of mass destruction so also know as unusual status of freerider, but within the complex of changes. The people in this city first does not have the preparation to create their own wealth, neither could they understand the emergency of calling for creative to not diatribe than to fall in to the their wife’s trap as I am writing this note of explicit truth of seeing entertainment in this city is not a freeriding safari, we need to also make space and time to create even if most people in Hong Kong where I am based off my entirety of effort to understand how this city is changing by an mystical source of energy. Hong Kong people, can’t speak of their own transformation but only because we are happened to be the projections of our own network, affairs and contribution in our time of transformations. Rather the effectiveness of projecting our intensive lowkey or (lowb) as people here would observe the one whom cannot walk away from the diatribe of omnipotence.

In here, Hong Kong owes a lot of people around the world to be able to trade friendship or whoever they might think that business relations can become more worsen that human are bother much by the mechanical design of human copy loyalist… In fact if one see creativity is a poor man’s appreciation of their liberalic statement, than I have nothing more to say but to bandwagon the sudo Champagne drinker and their complete oxymoron friends to just listen to these people from within this sinkhole and where we are really going to go in 5 to 10 years. We are running out of time to make joke about giving way to the larger society and scheme that micro-manager think is more important than the majority of cultural establishment of China. I am a freelance writer and what are you going to ask me to do if I know intensive mechanical reproduction are your only second chance to recreate your marco status in the world of strive, success and free city. Those whom listen to be paid by taxpayer’s, those who carry the salaryman’s crime or to those youth who are staying rebel at the heart will nonetheless, say calm down, no one wants to hear you complaint, or calling it is not a manifestation of design, but that the origin of species are intensive rented by the growing thinking of another occupancies, and subjectivities of knowing that the law, the system architecture cannot be happen or end over a fortnight; and as it must be indeed we are not working for China, than you might as well ship out and pack it in, but would that look solemly asking if this is a political stanza thought, it must again seemed odd to continue to design human or engineer the human/citizen of Hong Kong to look more important for China’s majority of the real Chinese culturalist. More than enough for this exposition on subjectivity is not the truth, but the lies within the plot of Hong Kong citizen’s status, but from impact of selectively connecting and bothering with an artistry, I have to speak my mind once more of someone knowingly is influential now to find it harder to hold on to the knowhow by asking people in this city to “meet their proper identity crisis” but are so much more to ask themselves that if you are a consensus of normalcy in the order of an conservationist, and just like in everywhere including the people humanly could possibly write this nothe, than ask yourself a question is what can I contribute if not just an opinion of slow pace music but with some thought just how bias Hong Kong’s people’s theory to set off their given ideologies to the world that they are decent, equal and philosophical?

To think that everyone is onboard of this sinking ship of one country two system. Inner that sanctuary! No battery included!

Update Notes: How many birds species still existing today and listening to the sound of different birds chirp is much important and direct to be thinking many sound will continue to exist into the future to the sound archeologist to do preservation, but it is never a popular way to exist in slow pace music and it is a matter of fact the Rashomon story is strikethrough the motherboards.

Inside China – their digital economy

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Currently, all music services in China offer music to consumers for free. For some, the music service is merely an appendage by which to draw in user traffic, which they then divert and monetize by other means, especially for the bigger portals like Baidu. It is rarely about the music at all, which is a sad state of affairs for the purist.

From <http://www.hypebot.com/hypebot/2015/05/music-distribution-in-china.html>
Are you considering to be an insider in the grossly huge potential market of China? IF the spectacle of music form, the representations of music genre in China. The moment we believe that the door is wide open is a smoke screen and a pipe-dream. In any form of music, the underground and the major recording artists are by far; it is not so often you can buy vinyl or in fact the outcome of finding foreign music is either pirated or sold in CD format, without the support from labels or artists. Yes they are still downloading, and in this hoarder of landscape, only live music and acts can be monetized. And for a large festival 330Yen or for about 30euros for a 3 days festival, I wonder where they can make back the money for the organizers.

Are we looking at the good ole days, not exactly good, but from a film buff, and the days for DVD films, the piracy for independent foreign films on the blackmarket in 2002, China was flourishing, rare copies of well known, special issue and out-of-print dvd films from classic, to modern and untold directors in the eastern bloc, European and art films are all hot selection in the black-market, pirated dvd film houses, selling for 10-30Yen a DVD-including boxset. And now I think music is looking likely similar with large well organized festivals in Top-tier cities like Beijing and Shanghai, Shenzhen maybe and Hong Kong definitely.

Film by masters and well know independent directors, French New Wave, German Existentialism/realism, documentaries and Art short film like Wim Wenders, Lar Von Trier from the earlier works are all sold in basement shop in the back of the shop in Shanghai and Shenzhen in the early 2001 in the dvd format.

From an exceptional rumor only, some more then 50,000 copies of records was transported across the Hong Kong boarder in to China end of last year, mostly secondhand classical and pop genre records, another rumor from unknown source, date back to the early 2013 that one or two entire vinyl pressing units was sold to an unknown buyer, but nothing have been told more about the opening of a pressing plant anywhere in the mainland China or across the border’s of Hong Kong, yet.

More and more records buyer’s in the mainland collectors are going out to find rare classical, pop and mint condition 80’s music in vinyl format.

2K-BOX and the future of music(Asia)

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In the precise manner of speaking, I am getting abit over anger at some of these Asia nations, mostly become of some, timely and untold ideas to differentiate independent film producer, or music(producer) within the APAC, that we no longer could make proceedings with self-censorship. As in this case for piracy or copyrights, or from dealing with royalties or on the behalf of adaptations, on musical freedom from playbook(society of playing copyrighted materials,) this on one hand they play their games of “12 Angry Men” and then formalize this perspective of the act of international organization for multi-nations bipartian, or “bomboclatt” from the entry act of storytelling and then they act on their other head(s.) like intellectuals wannabe.

It is very obvious to everybody playing the double-standard for a (Dire Strait) rather than double take, artfully. This act is often assumed if anything but alright with the local is alright in theory (no-such-thing….)

The withstanding of nothingness is believed that the interest of listening to dance music has not gained much by the trust of the establishments, rather by this integral strength of the producers themselves, they are really a body without organs and without any advances on progress or support from foreign devils (wham!)

This fear comes from the usual raven, and by taking up penmanship, these thoughts goes out to those (REM) whom thinks only towards pop culture and generalization of those whom find cultural assassination is a processing or a boycott and byproduct of activist, blacklister and freedom to downloads in consent. Our copyleft of free-software foundations(Opensource) are in nomansland, or in these kind of perspective of negative PSA in APAC, there is nothing more about branding, but organization from the following spectulation of formula studies.

1.National interest (GDP/automata)

2.Information retrieval (productions in all form of content)

3.Racial for socialism for the improvement on popular culture (policy in arts)

4.Musica’ for identical in cultural censorships (copyrights/content/ownerships)

5.Banality and dogmatic (system architect)

AN INTERVIEW WITH THE CREATOR JOHNNY DEKAM

AN INTERVIEW VDMX – THE CREATOR JOHNNY DEKAM

Many time interviews are missing from proposed project. Here is a designed interview for Vidvox.com or VDMX creator and their collective PURE/Dekam
Questions:
1: Music scene in your Performance, how did it commence, was it in Vienna?

I started performing while in graduate studies at Rensselaer in upstate New York. At first I worked a lot with Steim’s Big Eye, which was arguably the first video tracking software. It was also around this time I started coding my own visual software, working with Max. After much research and development, I formed VIDVOX and quit my day job.

Around the turn of the century, I made my way to Europe where I met two influential collaborators, Jasch and Pure. Jasch and I first started performing together as DYAD. On our first tour we did a show in Vienna organized by PURE at Club Rhiz, which eventually led to our working together as PURE DEKAM. Both projects ran more or less in parallel for approx 5 years with various small tours, workshops, and festival appearances. (DEAF, SONAR, SONIC ACTS, PIXELACHE, MUTEK etc.)
2.To imaging and imagination, science/science fiction your only inspiration?

My mother raised us on sci-if paperbacks and Star Trek. We subscribed to ‘OMNI’ magazine. There was definitely a strong Sci-Fi influence in my home growing up. My art school studies were in Detroit. It was the early 90’s and the ‘peak’ of Detroit techno / house music, all the while surrounded by this rust belt, urban decay, dystopic, blade runner-esque city. It was (and still is I imagine) a perfect storm for creativity. I am very fond of Detroit.

3.MEGO – the labels, where other people have you worked with in AV labels?

I came to MEGO via PURE who had his own subsidiary called “d0c”. We had a single release as a PURE DEKAM, which incidentally was paid for by the French government through a residency in Renne. I have to say I have had very little luck over the years in terms of visual labels, the model came too late I think.

As my career progressed I became much more involved in the music industry with large scale concert productions. I think many of us ‘early’ VJs have grown into this pursuit, as ‘visual designers’, ‘video directors’ and so on. Through it all, the trajectory has been live performance, rather than releases. Now I have come full circle. I’m returning to software and art, shifting my work from the road to the studio.

4.What do you think of analogue formats in Audiovisual, is there any left overs?

It is important to distinguish the term analogue as more than simply an electronic technique, but rather an aesthetic with a rich history of video art and pioneers. It is easy for the young VJ to completely ignore this history, but it is there and always will be. There is a strong movement of people working on analogue equipment with modern sensibilities. I especially like LZW industries who manufactures modular video synthesis hardware. There are also those who lovingly restore and archive the old hardware; the Rutt Etra’s, the Fairlights and so on. I keep a small collection of 80’s era vintage equipment, as sometimes you just need ‘that look’ of a tube camera, or Panasonic DSK lumakey. Right now is the perfect time to collect, because so much of the gear is being discarded by broadcasters and the like.

MUTEK/PURE/DEKAM

念能力人的普樂 – NNLR

這個比方沒有太多東西可給大家看。

There is no better stuff for other people to see, but sometimes I put a lot of effort in creating sound or music in a bad literature study XD (Intro Music has No names) 來一個無名樂響。Internet is like this, don’t like it don’t read here. Night time Music, good or bad?

I can’t write Chinese, but trying again! Dying to speak and starting a music label is logical? Yet funny but happy to continue to write. Back in Hong Kong for more than 10 years, people with the same interest are here, only if time will wait for anyone. In music we call this space or Spatial, also representation of time sequence. In both learning about Music or Chinese language has to be self taught, I use google. But this isn’t a place for us and neither it has become not a random access memory(only realization.) I speak Chinese everyday. It represent the meaning of an experimental sound artist but not important if it is all but about writing primary composition, keep on going!

Some compare the sound to the west, but people, really? Ask us about any interest as work. Can we see a renaissance?? IF is not me it’s not good…haha. Though long about getting someone to translate, Why do I need a translator?! The point is because only music meet science, not many audience see us produce music that are essence in time of music and producers. Slow music!? LOL

晚上的樂有用嗎?

可笑的是一些中文也不會用的我! 言亡也不是和開label的logic。但笑笑是開心的哬也要一值continue to write. 回國十多年香港也有了很多友人! 但時間不會 waiting for anyone. In music we call this space or Spatial, also representation of time sequence.

中文或是音樂都要自己學,你看書、我用google. 這個地方是沒有你我、也不是random access memory. 中國的方言也是長年可用的一們學舉。也是很象音樂experimential artist 的名字。沒有大不了!你天真也要作下去嗎? 有用的人或是比西方的sound?? 問我們的interests?? 真的像黃金時代? IF is not me it’s not good…haha.

Why do I need a translator?! 想了很多年了! 見地 because only music 科学也不多人會看我們做樂的味候也不會改的音樂是時代。慢慢的歌 是 slow music!?