Jimmy Howe guest set – dublab.com

 

screen-1496Reinforcing the idea of conceptual sound  and don’t just project what it is that you want.

There are just no time to chase for tech to trade for a living instead of gravity.

He is not in this game of chance but knowing that there are matters that is more interesting than the string of time and whatever meaning you’ve got it is a reality and metaphor.

http://dublab.com/events/49763/jimmy-howe-guest-set/

Elusive – Textures

r-8612897-1465137003-4335

Brimming with offbeat beauty, Elusive’s new album Textures features a unique electronic warmth that is created with an infinity of unusual sounds. Dissected vocals and the crackle of lo-fi static permeate the release with layers of soul, a showcase for Elusive’s artful, abundant and multi-layered approach to production. With over 20 releases in his collection since the ‘90s, Elusive has personified instrumental music culture in California for two decades now. Textures comes at a creative spurt in his career and has a breakthrough sound from beginning to end.

 

released February 26, 2016

From the producer’s choice, this last year release from Alpha Pup a Los Angeles based label with hundreds of releases have really made my grade of finding that unique off-beat arrangement that I nearly experienced an anxiety lathegicism. But once you started to listen to the quality of vinyl recordings, you will notice there are sight difference between digitalism and analogue format in hybrids. Like the bridge of hydro in the 90’s when the compositions is all about experimental sound and LA beat’s scene is although a bit of an hidden gem. It is still alive and kicking, and very much looking forward to watch the live set of Elusive, and even listening to the dj set somewhere in downtown L.A.. Just keep an eye out for this artist if you are in California or at an ACE Hotel downtown.

A Documentary about Modular Synthesizer (EMS)

Post-war Britain rebuilt itself on a wave of scientific and industrial breakthroughs that culminated in the cultural revolution of the 1960’s. In this atmosphere was born the Electronic Music Studios (EMS), a radical group of avant-garde electronic musicians who utilized technology and experimentation to compose a futuristic electronic sound-scape for the New Britain.
What The Future Sounded Like colours in a lost chapter in music history, uncovering a group of composers and innovators who harnessed technology and new ideas to re-imagine the boundaries of music and sound. Features music from Pink Floyd, Hawkwind, Roxy Music and The Emperor Machine.
Porthmeor Productions
Produced by Claire Harris
Written & Directed by Matthew Bate (Shut Up Little Man! An Audio Misadventure)
Official Site: whatthefuturesoundedlike.com
World Premiere: South by Southwest 2008
Official Selection: CPH:DOX // Sheffield Doc:Fest // Sonar Music Festival // SIFF // MIFF // BAFF 2006

What The Future Sounded Like from Closer Productions on Vimeo.

Faites Du Bruit – Le Bruitage

I am ready to perhaps pursuing a new career in Bruitage/sound foyle artist

IN the world that we live in film and motion pictures, event in animation as such the world of the foyle artist is a very imaginative world and everyday something new should happen in simple matters of life or death.

http://lasonotheque.org/

https://fr.wikipedia.org/wiki/Bruitage

http://www.sound-fishing.net/bruitages.html

Silence – Film Review

Eoghan (Eoghan Mac Giolla Bhride) is returning to Ireland for the first time in 15 years to accept a job offer: to find and record places free from man-made sound. His quest takes him away from towns and villages into remote terrain. He becomes drawn into a series of encounters and conversations which divert his attention towards a more intangible silence, one that is bound up with the sounds of the life he had left behind.

Available to stream or download on Volta from 27th July: http://www.volta.ie/films/silence

**Review from The Observer**

In this highly praised movie by the Irish documentarist Pat Collins, an uneasy mixture of fact and fiction, Eoghan Mac Giolla Bhríde, one of the film’s screenwriters, plays a sound recordist making a journey across Ireland to revisit his home on the remote Tory Island off the coast of Donegal after an absence of some years. Along the way he solemnly records natural sound, has unrevealing, unremarkable conversations with a not especially varied variety of folk he meets along the way, some of them Gaelic speakers. There are interesting images, some of them from the archives, but he and the film got nowhere that stuck in my memory.

**NLS Ops**

There are some wide open soundscape, and a place like Ireland, the unsettling life from becoming drifted in sound, sounds wonderful to me.

La Habana de la Cuba

Long before I was told this story. The moment is only a **significant part of my memory**. In the world where we believe there **is a science fiction**. There is no longer a single way to buy your way into the world of imagination. They have all behold there, that is the moment in their lives where they will be smitten to learn the idea of the child. By seeing and **touch** the **outside world**, throughout seeing something beyond only they could ever; envision.\ a landsouth, island.

In the world where we believe the lies holds the final judgement of the truth, and the truth will foretold the how to preceive the world but nothing as the truth. Yes we might have all been smitten by the outcome of the journey into the **fictionless world of jubilee.**

He Begins with the name my Son in Mandrian, Chinese. ^^

Congo – The documentary

Approaching the TV is not normal for me. And once awhile I like to see TV in a much more focused way.

Aftermath of the Nepal earthquake and nature shaping mankind in a way we cannot use words to explain its phenomenon. There might be amazing stunts on youtube but this is some wildest – single minutes of adrenline I have yet seen on film.

London 06/15

Red Bull Media House and Fish Munga presents: Congo – The Grand Inga Project – a documentary that followed kayaker Steve Fisher as he set out on a daring and historic decent of the the world’s biggest rapids on the Congo River.

CONGO on Redbull TV

 

Hong Kong is not a liason and I will not take you up for another Granada(unedited)

This might becoming once upon a time the most intensive idea of all time, the idea of our world where we prepared to accept the normalcy and status quo or intending to recreate a true happiness using all type of media and information to tell us what is within the state of Hong Kong’s unexceptable idea of freedom and openness, but indeed the position for finding that intensive recreation of a state order rather than the ideas this is preoccupying us all along with longer working hours, hateful partisans and diatribes.

Through the find of a strong believer in freewill and philiosophy of somekind, that this someone will come in to this city state to safe us by an observant, or an ideologist, or their own political state of affair; is intensively science, and or the design matter that each people could equally establish their status quo as an wealthy architect or designer lies within their power to organized or retaining their personal trait are far worst and ridiculous than having the entire world changing to be one political system. This is the dreamer and we are carrying a weapon of mass destruction so also know as unusual status of freerider, but within the complex of changes. The people in this city first does not have the preparation to create their own wealth, neither could they understand the emergency of calling for creative to not diatribe than to fall in to the their wife’s trap as I am writing this note of explicit truth of seeing entertainment in this city is not a freeriding safari, we need to also make space and time to create even if most people in Hong Kong where I am based off my entirety of effort to understand how this city is changing by an mystical source of energy. Hong Kong people, can’t speak of their own transformation but only because we are happened to be the projections of our own network, affairs and contribution in our time of transformations. Rather the effectiveness of projecting our intensive lowkey or (lowb) as people here would observe the one whom cannot walk away from the diatribe of omnipotence.

In here, Hong Kong owes a lot of people around the world to be able to trade friendship or whoever they might think that business relations can become more worsen that human are bother much by the mechanical design of human copy loyalist… In fact if one see creativity is a poor man’s appreciation of their liberalic statement, than I have nothing more to say but to bandwagon the sudo Champagne drinker and their complete oxymoron friends to just listen to these people from within this sinkhole and where we are really going to go in 5 to 10 years. We are running out of time to make joke about giving way to the larger society and scheme that micro-manager think is more important than the majority of cultural establishment of China. I am a freelance writer and what are you going to ask me to do if I know intensive mechanical reproduction are your only second chance to recreate your marco status in the world of strive, success and free city. Those whom listen to be paid by taxpayer’s, those who carry the salaryman’s crime or to those youth who are staying rebel at the heart will nonetheless, say calm down, no one wants to hear you complaint, or calling it is not a manifestation of design, but that the origin of species are intensive rented by the growing thinking of another occupancies, and subjectivities of knowing that the law, the system architecture cannot be happen or end over a fortnight; and as it must be indeed we are not working for China, than you might as well ship out and pack it in, but would that look solemly asking if this is a political stanza thought, it must again seemed odd to continue to design human or engineer the human/citizen of Hong Kong to look more important for China’s majority of the real Chinese culturalist. More than enough for this exposition on subjectivity is not the truth, but the lies within the plot of Hong Kong citizen’s status, but from impact of selectively connecting and bothering with an artistry, I have to speak my mind once more of someone knowingly is influential now to find it harder to hold on to the knowhow by asking people in this city to “meet their proper identity crisis” but are so much more to ask themselves that if you are a consensus of normalcy in the order of an conservationist, and just like in everywhere including the people humanly could possibly write this nothe, than ask yourself a question is what can I contribute if not just an opinion of slow pace music but with some thought just how bias Hong Kong’s people’s theory to set off their given ideologies to the world that they are decent, equal and philosophical?

To think that everyone is onboard of this sinking ship of one country two system. Inner that sanctuary! No battery included!

Update Notes: How many birds species still existing today and listening to the sound of different birds chirp is much important and direct to be thinking many sound will continue to exist into the future to the sound archeologist to do preservation, but it is never a popular way to exist in slow pace music and it is a matter of fact the Rashomon story is strikethrough the motherboards.

Inside China – their digital economy

Currently, all music services in China offer music to consumers for free. For some, the music service is merely an appendage by which to draw in user traffic, which they then divert and monetize by other means, especially for the bigger portals like Baidu. It is rarely about the music at all, which is a sad state of affairs for the purist.

From <http://www.hypebot.com/hypebot/2015/05/music-distribution-in-china.html>
Are you considering to be an insider in the grossly huge potential market of China? IF the spectacle of music form, the representations of music genre in China. The moment we believe that the door is wide open is a smoke screen and a pipe-dream. In any form of music, the underground and the major recording artists are by far; it is not so often you can buy vinyl or in fact the outcome of finding foreign music is either pirated or sold in CD format, without the support from labels or artists. Yes they are still downloading, and in this hoarder of landscape, only live music and acts can be monetized. And for a large festival 330Yen or for about 30euros for a 3 days festival, I wonder where they can make back the money for the organizers.

Are we looking at the good ole days, not exactly good, but from a film buff, and the days for DVD films, the piracy for independent foreign films on the blackmarket in 2002, China was flourishing, rare copies of well known, special issue and out-of-print dvd films from classic, to modern and untold directors in the eastern bloc, European and art films are all hot selection in the black-market, pirated dvd film houses, selling for 10-30Yen a DVD-including boxset. And now I think music is looking likely similar with large well organized festivals in Top-tier cities like Beijing and Shanghai, Shenzhen maybe and Hong Kong definitely.

Film by masters and well know independent directors, French New Wave, German Existentialism/realism, documentaries and Art short film like Wim Wenders, Lar Von Trier from the earlier works are all sold in basement shop in the back of the shop in Shanghai and Shenzhen in the early 2001 in the dvd format.

From an exceptional rumor only, some more then 50,000 copies of records was transported across the Hong Kong boarder in to China end of last year, mostly secondhand classical and pop genre records, another rumor from unknown source, date back to the early 2013 that one or two entire vinyl pressing units was sold to an unknown buyer, but nothing have been told more about the opening of a pressing plant anywhere in the mainland China or across the border’s of Hong Kong, yet.

More and more records buyer’s in the mainland collectors are going out to find rare classical, pop and mint condition 80’s music in vinyl format.

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