designed and engineered by ezra buchla and brian crabtree.
made by monome in upstate new york.
$1400. ordering open now.
shipping late fall.
more video and information forthcoming. https://vimeo.com/75520925
Post-war Britain rebuilt itself on a wave of scientific and industrial breakthroughs that culminated in the cultural revolution of the 1960’s. In this atmosphere was born the Electronic Music Studios (EMS), a radical group of avant-garde electronic musicians who utilized technology and experimentation to compose a futuristic electronic sound-scape for the New Britain.
What The Future Sounded Like colours in a lost chapter in music history, uncovering a group of composers and innovators who harnessed technology and new ideas to re-imagine the boundaries of music and sound. Features music from Pink Floyd, Hawkwind, Roxy Music and The Emperor Machine.
Produced by Claire Harris
Written & Directed by Matthew Bate (Shut Up Little Man! An Audio Misadventure)
Official Site: whatthefuturesoundedlike.com
World Premiere: South by Southwest 2008
Official Selection: CPH:DOX // Sheffield Doc:Fest // Sonar Music Festival // SIFF // MIFF // BAFF 2006
What The Future Sounded Like from Closer Productions on Vimeo.
I am ready to perhaps pursuing a new career in Bruitage/sound foyle artist
IN the world that we live in film and motion pictures, event in animation as such the world of the foyle artist is a very imaginative world and everyday something new should happen in simple matters of life or death.
Eoghan (Eoghan Mac Giolla Bhride) is returning to Ireland for the first time in 15 years to accept a job offer: to find and record places free from man-made sound. His quest takes him away from towns and villages into remote terrain. He becomes drawn into a series of encounters and conversations which divert his attention towards a more intangible silence, one that is bound up with the sounds of the life he had left behind.
Available to stream or download on Volta from 27th July: http://www.volta.ie/films/silence
**Review from The Observer**
In this highly praised movie by the Irish documentarist Pat Collins, an uneasy mixture of fact and fiction, Eoghan Mac Giolla Bhríde, one of the film’s screenwriters, plays a sound recordist making a journey across Ireland to revisit his home on the remote Tory Island off the coast of Donegal after an absence of some years. Along the way he solemnly records natural sound, has unrevealing, unremarkable conversations with a not especially varied variety of folk he meets along the way, some of them Gaelic speakers. There are interesting images, some of them from the archives, but he and the film got nowhere that stuck in my memory.
There are some wide open soundscape, and a place like Ireland, the unsettling life from becoming drifted in sound, sounds wonderful to me.
In the world where we believe the lies holds the final judgement of the truth, and the truth will foretold the how to preceive the world but nothing as the truth. Yes we might have all been smitten by the outcome of the journey into the **fictionless world of jubilee.**
He Begins with the name my Son in Mandrian, Chinese. ^^
Approaching the TV is not normal for me. And once awhile I like to see TV in a much more focused way.
Aftermath of the Nepal earthquake and nature shaping mankind in a way we cannot use words to explain its phenomenon. There might be amazing stunts on youtube but this is some wildest – single minutes of adrenline I have yet seen on film.
Red Bull Media House and Fish Munga presents: Congo – The Grand Inga Project – a documentary that followed kayaker Steve Fisher as he set out on a daring and historic decent of the the world’s biggest rapids on the Congo River.
This might becoming once upon a time the most intensive idea of all time, the idea of our world where we prepared to accept the normalcy and status quo or intending to recreate a true happiness using all type of media and information to tell us what is within the state of Hong Kong’s unexceptable idea of freedom and openness, but indeed the position for finding that intensive recreation of a state order rather than the ideas this is preoccupying us all along with longer working hours, hateful partisans and diatribes.
Through the find of a strong believer in freewill and philiosophy of somekind, that this someone will come in to this city state to safe us by an observant, or an ideologist, or their own political state of affair; is intensively science, and or the design matter that each people could equally establish their status quo as an wealthy architect or designer lies within their power to organized or retaining their personal trait are far worst and ridiculous than having the entire world changing to be one political system. This is the dreamer and we are carrying a weapon of mass destruction so also know as unusual status of freerider, but within the complex of changes. The people in this city first does not have the preparation to create their own wealth, neither could they understand the emergency of calling for creative to not diatribe than to fall in to the their wife’s trap as I am writing this note of explicit truth of seeing entertainment in this city is not a freeriding safari, we need to also make space and time to create even if most people in Hong Kong where I am based off my entirety of effort to understand how this city is changing by an mystical source of energy. Hong Kong people, can’t speak of their own transformation but only because we are happened to be the projections of our own network, affairs and contribution in our time of transformations. Rather the effectiveness of projecting our intensive lowkey or (lowb) as people here would observe the one whom cannot walk away from the diatribe of omnipotence.
In here, Hong Kong owes a lot of people around the world to be able to trade friendship or whoever they might think that business relations can become more worsen that human are bother much by the mechanical design of human copy loyalist… In fact if one see creativity is a poor man’s appreciation of their liberalic statement, than I have nothing more to say but to bandwagon the sudo Champagne drinker and their complete oxymoron friends to just listen to these people from within this sinkhole and where we are really going to go in 5 to 10 years. We are running out of time to make joke about giving way to the larger society and scheme that micro-manager think is more important than the majority of cultural establishment of China. I am a freelance writer and what are you going to ask me to do if I know intensive mechanical reproduction are your only second chance to recreate your marco status in the world of strive, success and free city. Those whom listen to be paid by taxpayer’s, those who carry the salaryman’s crime or to those youth who are staying rebel at the heart will nonetheless, say calm down, no one wants to hear you complaint, or calling it is not a manifestation of design, but that the origin of species are intensive rented by the growing thinking of another occupancies, and subjectivities of knowing that the law, the system architecture cannot be happen or end over a fortnight; and as it must be indeed we are not working for China, than you might as well ship out and pack it in, but would that look solemly asking if this is a political stanza thought, it must again seemed odd to continue to design human or engineer the human/citizen of Hong Kong to look more important for China’s majority of the real Chinese culturalist. More than enough for this exposition on subjectivity is not the truth, but the lies within the plot of Hong Kong citizen’s status, but from impact of selectively connecting and bothering with an artistry, I have to speak my mind once more of someone knowingly is influential now to find it harder to hold on to the knowhow by asking people in this city to “meet their proper identity crisis” but are so much more to ask themselves that if you are a consensus of normalcy in the order of an conservationist, and just like in everywhere including the people humanly could possibly write this nothe, than ask yourself a question is what can I contribute if not just an opinion of slow pace music but with some thought just how bias Hong Kong’s people’s theory to set off their given ideologies to the world that they are decent, equal and philosophical?
To think that everyone is onboard of this sinking ship of one country two system. Inner that sanctuary! No battery included!
Currently, all music services in China offer music to consumers for free. For some, the music service is merely an appendage by which to draw in user traffic, which they then divert and monetize by other means, especially for the bigger portals like Baidu. It is rarely about the music at all, which is a sad state of affairs for the purist.
Are you considering to be an insider in the grossly huge potential market of China? IF the spectacle of music form, the representations of music genre in China. The moment we believe that the door is wide open is a smoke screen and a pipe-dream. In any form of music, the underground and the major recording artists are by far; it is not so often you can buy vinyl or in fact the outcome of finding foreign music is either pirated or sold in CD format, without the support from labels or artists. Yes they are still downloading, and in this hoarder of landscape, only live music and acts can be monetized. And for a large festival 330Yen or for about 30euros for a 3 days festival, I wonder where they can make back the money for the organizers.
Are we looking at the good ole days, not exactly good, but from a film buff, and the days for DVD films, the piracy for independent foreign films on the blackmarket in 2002, China was flourishing, rare copies of well known, special issue and out-of-print dvd films from classic, to modern and untold directors in the eastern bloc, European and art films are all hot selection in the black-market, pirated dvd film houses, selling for 10-30Yen a DVD-including boxset. And now I think music is looking likely similar with large well organized festivals in Top-tier cities like Beijing and Shanghai, Shenzhen maybe and Hong Kong definitely.
Film by masters and well know independent directors, French New Wave, German Existentialism/realism, documentaries and Art short film like Wim Wenders, Lar Von Trier from the earlier works are all sold in basement shop in the back of the shop in Shanghai and Shenzhen in the early 2001 in the dvd format.
From an exceptional rumor only, some more then 50,000 copies of records was transported across the Hong Kong boarder in to China end of last year, mostly secondhand classical and pop genre records, another rumor from unknown source, date back to the early 2013 that one or two entire vinyl pressing units was sold to an unknown buyer, but nothing have been told more about the opening of a pressing plant anywhere in the mainland China or across the border’s of Hong Kong, yet.
More and more records buyer’s in the mainland collectors are going out to find rare classical, pop and mint condition 80’s music in vinyl format.
In the precise manner of speaking, I am getting abit over anger at some of these Asia nations, mostly become of some, timely and untold ideas to differentiate independent film producer, or music(producer) within the APAC, that we no longer could make proceedings with self-censorship. As in this case for piracy or copyrights, or from dealing with royalties or on the behalf of adaptations, on musical freedom from playbook(society of playing copyrighted materials,) this on one hand they play their games of “12 Angry Men” and then formalize this perspective of the act of international organization for multi-nations bipartian, or “bomboclatt” from the entry act of storytelling and then they act on their other head(s.) like intellectuals wannabe.
It is very obvious to everybody playing the double-standard for a (Dire Strait) rather than double take, artfully. This act is often assumed if anything but alright with the local is alright in theory (no-such-thing….)
The withstanding of nothingness is believed that the interest of listening to dance music has not gained much by the trust of the establishments, rather by this integral strength of the producers themselves, they are really a body without organs and without any advances on progress or support from foreign devils (wham!)
This fear comes from the usual raven, and by taking up penmanship, these thoughts goes out to those (REM) whom thinks only towards pop culture and generalization of those whom find cultural assassination is a processing or a boycott and byproduct of activist, blacklister and freedom to downloads in consent. Our copyleft of free-software foundations(Opensource) are in nomansland, or in these kind of perspective of negative PSA in APAC, there is nothing more about branding, but organization from the following spectulation of formula studies.
1.National interest (GDP/automata)
2.Information retrieval (productions in all form of content)
3.Racial for socialism for the improvement on popular culture (policy in arts)
4.Musica’ for identical in cultural censorships (copyrights/content/ownerships)
5.Banality and dogmatic (system architect)
NLS is presenting you the soundtrack of Matthias Kispert by the Master works of QUAYOLA collection.
is a time-based digital sculpture; a celebration of matter itself, the substance of all physical things. It describes a continuous dynamic articulation of a solid, pure block of matter, from the simplest primitive forms to the highest details of geometric complexities, and vice versa… from the unpredictable grace of geological processes to the perfection, beauty and precision of man made crafts.
The subject of this piece is Rodin’s sculpture Le Penseur (The Thinker), a masterpiece born as the avant-garde that has since become a universal classical icon, and now considered the bridge from classical to modern sculpture.
Commissioned by Audemars Piguet.