NLS Records + Research

2K-BOX and the future of music(Asia)

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In the precise manner of speaking, I am getting abit over anger at some of these Asia nations, mostly become of some, timely and untold ideas to differentiate independent film producer, or music(producer) within the APAC, that we no longer could make proceedings with self-censorship. As in this case for piracy or copyrights, or from dealing with royalties or on the behalf of adaptations, on musical freedom from playbook(society of playing copyrighted materials,) this on one hand they play their games of “12 Angry Men” and then formalize this perspective of the act of international organization for multi-nations bipartian, or “bomboclatt” from the entry act of storytelling and then they act on their other head(s.) like intellectuals wannabe.

It is very obvious to everybody playing the double-standard for a (Dire Strait) rather than double take, artfully. This act is often assumed if anything but alright with the local is alright in theory (no-such-thing….)

The withstanding of nothingness is believed that the interest of listening to dance music has not gained much by the trust of the establishments, rather by this integral strength of the producers themselves, they are really a body without organs and without any advances on progress or support from foreign devils (wham!)

This fear comes from the usual raven, and by taking up penmanship, these thoughts goes out to those (REM) whom thinks only towards pop culture and generalization of those whom find cultural assassination is a processing or a boycott and byproduct of activist, blacklister and freedom to downloads in consent. Our copyleft of free-software foundations(Opensource) are in nomansland, or in these kind of perspective of negative PSA in APAC, there is nothing more about branding, but organization from the following spectulation of formula studies.

1.National interest (GDP/automata)

2.Information retrieval (productions in all form of content)

3.Racial for socialism for the improvement on popular culture (policy in arts)

4.Musica’ for identical in cultural censorships (copyrights/content/ownerships)

5.Banality and dogmatic (system architect)

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